The Warp Fallback: Eternal Returns VI: Here Again, Ten Years After: Fall Back to the Womb
The Warp presents Audio Visual Spatial performances
The Warp Fallback: Eternal Returns VI: Here Again, Ten Years After: Fall Back to the Womb
December 12, 2022, Monday, 8 pm
at the Kunstkapel, Prinses Irenetraat 19
The Fall Back: Eternal Returns program comes to an end of this date which represents ten years since the very first event connected with the CLOUD endeavour happened at the Kunstkapel (12-12-12). One of the first impressions of the space with its built-in architectural โsoftโcloth walls (courtesy of former tenants Atelier 21) was that of a womb. We now imagine the ultimate Fall Back: Eternal Return imaginable would be that of the return to the womb which immediately called these reflections of motherhood both dark and light into a distinct order.
โท Iza Pacewicz Wysocka performs ๐๐๐ก๐ ๐ค๐ ๐๐๐๐ฉ ๐ ๐๐๐ฎ ๐๐จ ๐๐๐๐ฃ๐๐ฃ๐ ๐๐๐จ๐จ
Iza Pacewicz Wysocka, a new mother herself, performs a reflection on lost mothers and deep connections with the help of a phonograph and a copy of the white album.
โทโท Samm Lewis performs ๐๐๐ 3 ๐๐๐ฉ๐๐จ, ๐๐ฅ๐๐จ๐ค๐๐ 3
Samm Lewis offers the sequel to her piece on the previous day performed on the knitting machine, reflecting on memories of her mother.
โทโทโท Iza Pacewicz Wysocka and Estee Makampo performs ๐๐๐ซ๐๐ฃ๐ฃ๐ ๐๐ฅ๐๐ง๐๐ฉ๐ช๐๐ก
Levanna is the roman goddess of child care and specifically as a force which picks up and lifts the child into the airโฆ an action which combines attraction with terror, ultimate care with huge risk. With this piece the duet of dance and music, body and violin, attempt to create a gospel spiritual on this motif combining the efforts of a new first time mother and an active healer to create a unique and authentic dialogue in the realm of the spirit.
โทโทโทโท Barbara Philip performs ๐๐ช๐ฉ๐ฉ๐๐ง๐จ๐๐๐ก๐๐ฃ๐๐ก๐ก๐๐๐ฃ: ๐ผ๐ก๐ก ๐ผ๐ก๐ค๐ฃ๐ ๐๐ฃ ๐ฉ๐๐ ๐๐ค๐ง๐ก๐
An elderly woman talks to her daughter on the phone. However, one never hears the daughter answering, but only follows the mother’s minute-long monologue. The mother is represented by a ventriloquist doll who talks the whole time and reveals her omnipresence as a dominant, desperate and bitter character. The artist says โCapturing my feeling of being mutterseelenallein ( all alone in the world) in relationship to my mother figure allowed me to liberate the missing voice.โ
โทโทโทโทโท The Shadow Seminary School perform ๐๐๐๐ฃ๐ฉ๐๐จ๐ข๐๐ก/๐๐๐ฉ๐๐ง๐ฃ๐๐ก ๐๐ฃ๐ฉ๐๐ง๐ก๐ช๐๐ ๐๐ค๐ง ๐๐๐ง๐๐ ๐๐ค๐ง๐ง๐ค๐ฌ๐จ–๐๐๐ ๐๐ง๐๐ฃ๐จ๐๐ฉ ๐๐ช๐ฃ๐๐ช๐จ 5.1
(Performed by Simone Goslinga, Stefania Petroula, Iza Pacewicz Wysocka, and Elizaveta Kozyakova)
The Shadow Seminary School was formed in 2018 to ruminate on the actual space of the Kunstkapel, its history and its direct link to the catholic church particularly as a seminary rehearsal space designed by an architect who is singularly known as a Catholic futurist. The project grew out of Thomas de Quinceyโs Three Mothers of Sorrow which we conceive as the dark absence in the edifice of the Church. This trio conjoins original members of the group with a phantasmal reunion of these three dark mothers which will serve as a prelude to the fifth part of the work which reflects on the future of the Kunstkapel one thousand years from now as a different sort of spiritual edifice.
Tickets: โฌ10 at the door, โฌ5 for students
