Watch the Unloomed #1 Online Performance: Outliers, 2.1 & 2.2

Outliers, 2.1 & 2.2 Trailer

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This January ๐—ง๐—ต๐—ฒ ๐—ช๐—ฎ๐—ฟ๐—ฝ and ๐—ญ๐—ผ๐—ป๐—ฒ๐Ÿฎ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ presented ๐—ง๐—ต๐—ฒ ๐—ง๐—ฒ๐—ป๐˜‚๐—ผ๐˜‚๐˜€ ๐—”๐˜๐˜๐—ฎ๐—ฐ๐—ต๐—บ๐—ฒ๐—ป๐˜: ๐—จ๐—ป๐—น๐—ผ๐—ผ๐—บ๐—ฒ๐—ฑ an interdisciplinary collaboration as part of the annual winter festival of lights organized by ๐—ญ๐—ผ๐—ป๐—ฒ๐Ÿฎ๐—ฆ๐—ผ๐˜‚๐—ฟ๐—ฐ๐—ฒ in the Amstelpark.

Located in the ๐—š๐—น๐—ฎ๐˜‡๐—ฒ๐—ป ๐—ต๐˜‚๐—ถ๐˜€ in the middle of the Amstelpark, the performances and installation were a result of the collaboration of three artist and performers groups. As a new way to present and experience art during a lockdown, the installation and performance would be quarantined and locked behind the windows, while the public could safely roam free around the glass box in the open quiet space of the park. A light and string installation inside the Glazen Huis created a changing visual landscape of moving shapes, while the string construction was being played by musicians, generating a sound concert for the audience standing outsideโ€ฆ

Credits:

Performed by The Taciturn Receiver
Dancers: Maria Mavridou, Manuela Lucia Tessi, Isabela Pacewicz-Wysocka, Stefania Petroula,
Voice: Senna Laura Leezenberg, Lee Ellickson,
Lasers: Vladimir Grafov,
Strings & Styrofoam: Dirk Bruinsma *This is a correction, Dirk is listed in the video as performing electronics, it should have listed him as playing the installation*,
Percussions &.Strings: Alan Purves

Installation: The Tenuous Attachment: Unloomed #1,
Created by The Transactorโ€™s Receptive Interference (Olivia Ainsley, Lee Ellickson and Vladimir Grafov),

Location: Het Glazen Huis in the Amstelpark presented by The Warp and zone2source.

Video Edited and Produced by Christian Smith

Footage Shot by Max van der Wal
Sound design by Andreas Tegnander.

Texts by Michelle Grangaud, Harry Mathews, and Michele Metail – edited and reassembled into variants by Senna Laura Leezenberg and Lee Ellickson

The performance was recorded by Andreas Tegnander and filmed & edited by Christian Smith.

Some Vast Grey Area online performances

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The Warp ๐—จ๐—ก๐—ฉ๐—˜๐—œ๐—Ÿ๐—ฆ: ๐™Ž๐™Š๐™ˆ๐™€ ๐™‘๐˜ผ๐™Ž๐™ ๐™‚๐™๐™€๐™” ๐˜ผ๐™๐™€๐˜ผ ๐™„๐™„๐™„ ย MARCH 15ย – APRIL 1ย 2021

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๐˜—๐˜ณ๐˜ฆ๐˜ฐ๐˜ค๐˜ค๐˜ถ๐˜ฑ๐˜ช๐˜ฆ๐˜ฅ ๐˜–๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ˆ๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ท๐˜ฆ ๐˜›๐˜ฆ๐˜ณ๐˜ณ๐˜ข๐˜ช๐˜ฏ: 13 ๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ฐ๐˜ฏ๐˜ด ๐˜ญ๐˜ฐ๐˜ด๐˜ต ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ
๐˜ช๐˜ฏ๐˜ต๐˜ฆ๐˜ณ๐˜ท๐˜ฆ๐˜ฏ๐˜ช๐˜ฏ๐˜จ ๐˜ต๐˜ช๐˜ฎ๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆโ€ฆ  

๐™Ž๐™ค๐™ข๐™š ๐™‘๐™–๐™จ๐™ฉ ๐™‚๐™ง๐™š๐™ฎ ๐˜ผ๐™ง๐™š๐™– ๐™„๐™„๐™„  occurs on the Archive Terrain between ๐— ๐—ฎ๐—ฟ๐—ฐ๐—ต ๐Ÿญ๐Ÿฑ ๐˜๐—ผ ๐—”๐—ฝ๐—ฟ๐—ถ๐—น ๐Ÿญ, in order to present a completely different mystery and an even more provocative puzzle involving several performing ensembles. The artists are collaborating within the context of the Archive Terrain as a site to perform strictly in order to generate ๐˜ฏ๐˜ฐ๐˜ฏ-๐˜ต๐˜ฆ๐˜ฎ๐˜ฑ๐˜ฐ๐˜ณ๐˜ข๐˜ญ and ๐˜ฏ๐˜ฐ๐˜ฏ-๐˜ญ๐˜ฐ๐˜ค๐˜ข๐˜ญ ๐˜ฆ๐˜ฏ๐˜ต๐˜ช๐˜ต๐˜ช๐˜ฆ๐˜ด and ๐˜ฒ๐˜ถ๐˜ข๐˜ด๐˜ช ๐˜ฉ๐˜บ๐˜ฑ๐˜ฆ๐˜ณ ๐˜ณ๐˜ฆ๐˜ค๐˜ฐ๐˜ณ๐˜ฅ๐˜ช๐˜ฏ๐˜จ ๐˜ฐ๐˜ฃ๐˜ซ๐˜ฆ๐˜ค๐˜ต๐˜ด. The 13 ‘objects’ will be revelaed following the conclusion of the event. For those that wish to investigate the location, all evidence of the performances will be in plain sight for the perceptive viewer while nothing will take place but the place itself… 

WITH THE PARTICIPATION OF: ๐–ณ๐—๐–พ ๐– ๐—‰๐—‰๐—‹๐—ˆ๐—‰๐—‹๐—‚๐–บ๐—๐–พ ๐–ฑ๐–พ๐—‰๐—ˆ๐—Œ๐—‚๐—๐—ˆ๐—‹๐—’, ๐–  ๐–ฃ๐—‚๐—Œ๐—๐—‹๐–บ๐—Ž๐—€๐—๐— ๐–ฅ๐—ˆ๐—Ž๐—‡๐–ฝ๐–บ๐—๐—‚๐—ˆ๐—‡, ๐–ณ๐—๐–พ ๐–ถ๐–บ๐—…๐—„๐–ป๐–บ๐–ผ๐—„, ๐– ๐—†๐–ป๐—Ž๐—…๐–บ๐—‡๐—, ๐–ฏ๐—’๐–พ๐—๐–บ๐–ผ๐—„๐–พ๐— & ๐–ข๐–พ๐—‹๐—๐–บ๐—‚๐—‡ ๐–ฅ๐–บ๐—†๐—‚๐—…๐—‚๐–บ๐—‹๐—Œ, ๐–ณ๐—๐–พ ๐–ฌ๐—Ž๐—๐—Ž๐–บ๐—…, ๐–ข๐—‚๐—‡๐–พ๐—๐—‹๐–บ๐–ผ๐—๐—ˆ๐—‹, ๐–ณ๐—๐–พ ๐–ค๐—‹๐—‹๐–บ๐—‡๐— ๐–ข๐—‚๐—‹๐—„๐—…๐–พ, ๐–ณ๐—๐–พ ๐–ฅ๐—‚๐–ฟ๐—๐— ๐–ค๐—Œ๐—๐–บ๐—๐–พ & ๐–ณ๐—๐–พ ๐–ฎ๐—‹๐—‚๐–พ๐—‡๐—๐–บ๐—๐—‚๐—ˆ๐—‡ ๐–ข๐—ˆ๐—‡๐—Œ๐–พ๐—‹๐—๐–บ๐—‡๐–ผ๐—’ ๐–ฏ๐—‹๐—ˆ๐—ƒ๐–พ๐–ผ๐—.